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<br />the roughened texture of the existing 'hand molded process' of the Firehouse bricks. The <br />exterior color will complement the palette of colors found in the existing brick. As stated <br />attempting to match the existing brick appearance of the historic Firehouse would most likely be <br />problematic and very costly due to the unique multiple color palette and character of the existing <br />bricks. <br /> <br />The Railroad Avenue side of the building is considered to have an important connection to Main <br />Street and Downtown Pleasanton. The building placement and massing are, therefore, <br />responding to the street edge and the intersection with Division Street. The glazed lobby aligns <br />with the east end of Division Street. The lobby will become the focal point of the Division <br />Street corridor and will provide an inviting fa~ade welcoming the visitor to the civic arts facility. <br />The glazed lobby fa~ade and canopy along with the addition to the north are designed to recede <br />from the historic Firehouse using the effect of joining the two structures. The plaster color is a <br />warm, dark color similar to the Remillard brick charcoal, overbum color which will accentuate <br />the historic Firehouse on the south side of the lobby, the lobby entry, and the two-story building <br />volume of similar scale and mass on the north side. The historic Firehouse will be renovated to <br />reflect its original appearance as described above. This will include the original brick finish, <br />restored and replicated steel sash windows, and replacement of the sectional apparatus bay <br />doors. The entrance glazing and doors are made up of metal frames configured in multiple <br />panes to relate to the steel sash windows of the historic Firehouse. <br /> <br />The high volume of the theater is shown finished with stucco and articulated with diagonal <br />reveals that subtly suggest theatrical light lines. The reveals may have two treatment types; <br />I) subtly embedded reveals matching the plaster color; and, 2) metal reveals accentuating the <br />whimsical 'theater lights'. The metal reveals would be accented by the various daytime natural <br />lighting as well as reflecting light from the facility. This graphic treatment can be seen on the <br />exterior of the theater above the lower volumes and on the interior lobby through the entry <br />glazing. To minimize its visual impact, the theater volume has been set back from the west <br />fa~ade and will be colored (sage green) to blend with the foliage of the adjacent mature trees. <br />This will effectively create a vignette of color visually reducing the volume. <br /> <br />The park side of the new Art Center features a curvilinear wall, clad with tongue and groove <br />vertical cedar siding that ties the various volumes together and provides a soft building edge <br />next to the landscaped park. It will have a clear sealer that protects it for a several years. The <br />architects recommend it then naturally age to a dark grey finish. If the Council would prefer to <br />have a constant 'new' wood finish, a clear sealer would need to be reapplied every 3-5 years. It <br />is a treatment ELS has used in similar applications and is a good choice next to the brick ofthe <br />old Firehouse. The color of the wood, whether aged or continuously sealed, will continue to <br />enhance the historic brick colors. <br /> <br />There are two glazed 'marquee's; one on each side of the Railroad Street entry and the park <br />entry. One comer of the theater would project beyond the curved wall on the park side to <br />feature another lit comer 'marquee' marking the entrance from the park side. It is envisioned <br /> <br />SR 06:079 <br />Page 9 of 17 <br />