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analysis initially conducted pertains. It includes three graphics that present the general <br />location of the project, the site plan, and the development plan. Figure 3 shows not only <br />where all the pazcel lines are but some of the details of project development that aze of <br />importance, including the new water tank and the existing Kottinger water tank, the drainage <br />features associated with the different segments of the project, a 6.5-acre park, and "Street A," <br />which is the main street of the project and a continuation of Hearst Drive. The five courts are <br />public roads up to the end of the court, which aze continued along private drives if they go <br />farther. <br />Chapter 3 describes the process of preparing and considering an EIR under Califomia law. <br />This is often called the CEQA process under the State law on which it is based. At the end of <br />the Chapter are a couple of pages describing the organization of the EIR as a whole, and in <br />particular, the organization of Chapter 4. <br />Chapter 4 is the main chapter in the Draft EIR and includes the setting, impacts, and <br />mitigation measures. The topics covered aze those that are included in the California CEQA <br />and run from A to P - "A" is "Aesthetics and Visual," and it goes down to "P" which is <br />"Utilities and Services." <br />Ms. Mundie noted that Chapter 4 contains detail for each topic and includes a framework for <br />analysis as well as a description of the scoping comments made on this topic that were <br />provided to them; a discussion of this setting as it relates to that individual topic, with the <br />focus on the site. <br />Ms. Mundie continued that the third category in this chapter is the key project chazacteristics, <br />the impacts, and the mitigation measure. The focus here is on the project -what the project <br />will do to the site -and is discussed under several different categories: (1) significance <br />criteria, which mostly come from the California CEQA guidelines and provide a kind of <br />bellwether indicator of whether a project has environmental impacts or not. This is the <br />standazd for determining whether impacts would exist and a way of making those <br />determinations so that we aze not reinventing significance criteria or going astray from what <br />the State law intended. (2) impacts, which all have a topic letter and then an impact number; <br />for example, "A" is the "Aesthetics" section, and "Al" would be the fast impact under <br />"Aesthetics." At the end of each topical section is a Summary Table that lists both the <br />impacts and the mitigation measures for that topic. <br />Ms. Mundie noted that "Aesthetics" has a map showing the views of the site under the <br />existing conditions. Each one of the little dots there has an arrow associated with it. The dot <br />is the point from which the photograph was taken, and the arrow shows the dtrection in <br />which the photograph was taken. The maps show both close-in views the views that were <br />taken from more distant locations. <br />Ms. Mundie explained the process of doing visual simulations which involves a number of <br />different steps. First of all, the selection was made of the viewpoint locations themselves by <br />undertaking a general viewshed analysis. A viewshed analysis is a computer-based <br />topography of all the lands between the viewpoint and the project and beyond, so what the <br />10 <br />